Chris Oliver-Taylor, who oversaw a sweeping evaluation of the ABC’s choices and operations quickly after being appointed chief content material officer in March, describes the lineup as one in every of “consolidation”, and mentioned it was probably there can be significantly extra new commissions for 2025 than in subsequent yr’s slate.
He factors to a brand new drama in regards to the scheming and intrigue behind the election marketing campaign for an imam at a Sydney mosque because the sort of programming he’s particularly excited by.
“Home of Gods is one thing fully shocking and by no means seen earlier than on Australian TV, and I feel that’s what the ABC ought to do,” he says.
Women in Black, impressed by Bruce Beresford’s 2018 film and set in a division retailer within the Nineteen Sixties, is a extra typical heartland ABC drama, although with American actress Debbie Mazar (Youthful) and Australians Miranda Otto and Jessica de Gouw spearheading, the hope is that it may also enchantment extra extensively.
Broadening the ABC viewers is essential, Oliver-Taylor says. In July, the Australian Monetary Assessment reported inside ABC paperwork confirmed that 80 per cent of the viewers for its flagship 7pm information bulletin was aged 55 or over, and simply 8 per cent had been underneath 40. “I would really like our common age to be 40-plus,” he says.
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“We at the moment have two-and-a-half million lively weekly customers on iview however we have now virtually 6 million common month-to-month customers,” he says. “The query is how can we get folks coming into iview extra often.”
ABC-TV is now not a linear broadcaster with a catch-up service, Oliver-Taylor says. Fifteen years after iview was launched, the stability has irrevocably shifted in direction of on-demand viewing.
“Australians are the best streamers per capita on the planet, so we all know it’s not a expertise barrier for our viewers to make use of ABC iview,” he says.
In a single day viewers numbers are now not a lot use as an indicator of a program’s success, he notes. Usually a drama will discover its viewers over 28 days, however the lengthy tail might lengthen properly past that for some reveals.
“And that’s one of many questions we have now to work out in 2024, what’s our measure of success over a timespan. It’s not in a single day, we all know that, so is it 28 days or is it an extended time interval? As a result of we’ve bought to make selections about did it or didn’t it work and can we wish to go [commission a new season] once more.”
Usually for a drama, the expectation might be a determine of round 1 million viewers, he says.
The goal is for 80 per cent of reveals to hit that mark. However it is usually necessary to go away room for daring failures, Oliver-Taylor says, to again reveals which can be progressive, edgy, or present an area for brand spanking new expertise to develop.
“Public broadcasters should take dangers,” he says.
“We have now to compete to a point in an enormous aggressive panorama, and there’s nothing improper with that. We simply must guarantee that we always remember our public broadcaster obligations as properly.”
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